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5 Best Studio Monitors for Critical Listening in 2023

Finding the best studio monitors for your mixing needs can be daunting, especially when they are such an expensive investment. In this blog post, we will focus on those that have proven to be the best for critical and analytical listening, with the flattest response and highest clarity of sound.

Without further ado, let us embark on this auditory journey, exploring the best studio monitors that have earned their place in today’s competitive market. From the most popular to the best home studio monitors to the best professional studio monitors, we have covered all bases to help you make an informed decision.

Whether you’re a seasoned professional or a budding music producer, we’re confident this guide will prove invaluable in your search for the best professional studio monitors.

What are the 5 Best Studio Monitors for Critical Listening in 2023?

All the recommendations that we’ll be making here are active studio monitors that feature at least a 7-inch woofer to ensure sufficient bass output. In our view, smaller-sized studio monitors with 4 to 5-inch woofers often fall short in delivering the same level of bass clarity and wouldn’t qualify as one of the best studio monitors.

Now that’s out of the way, let’s get right in and look at the 5 best studio monitors you can get today.

1. Yahama HS8 – Most Popular Studio Monitor (US$ 399.99 Each)

Why would you want this Studio Monitor?

You want a trusted pair of studio monitors that is familiar to many.

Yahama HS8-Front
Yahama HS8-Side
Yahama HS8-Back


The Yamaha HS8 carries forward the legacy of the NS10, made popular by Bob Clearmountain in the 1980s and was known as the most reliable horrible-sounding monitor possibly ever made. The HS8, however, is far from horrible sounding.

The HS8 uses large magnets in its circuit design to deliver a uniform, robust, tightly controlled flux field that gives a smooth response over a wide frequency range. This means it provides a flat, accurate sound with tight controls, making it ideal for music production.

The Yamaha HS8 delivers warm mids with ample depth and crisp, clean highs. Its robust bass response, which reaches down to 38Hz even at lower volumes, allows for detailed hearing and easy mixing, making it ideal for electronic music production and bass-heavy music. However, some might find the highs a bit harsh, potentially leading to ear fatigue during extended mixing sessions.

While the HS8 can produce pretty low tones, making a subwoofer unnecessary for most users, those creating music or films that require frequencies below 40Hz, might consider the Yamaha HS8S subwoofer.

The beauty of the Yamaha HS8 lies in its widespread use, which has made its sonic characteristics familiar to many. Whether collaborating with another music producer who knows this studio monitor well or stepping into a recording studio equipped with it, you’ll already be acquainted with its sound. And with its price point at $400, many find that to be the sweet spot.

The Yamaha HS8 boasts a clean, professional look, featuring the iconic white cone of the Yamaha NS10 and an illuminated logo that lights up when the monitors are on.

The body of the HS8 is made from a dense MDF board, which makes the studio speakers durable and aids in resonance reduction. The textured finish helps prevent unsightly fingerprint marks, and the three-way mitered joint, a technique borrowed from Yamaha’s piano design, further reduces resonance.

The back of the studio monitor is equipped with an XLR and TRS port and cooling fins at the rear panel to help cool the built-in amplifier. There are simple tuning options for room correction, including room controls and high trim, allowing you to adjust the low and high frequencies to get the best possible balance from the studio monitors.

The rear panel also features a volume control knob with labeling that can confuse users. The middle setting shows +4dB, while the highest setting to the right shows -10dB, which may not seem intuitive. However, the +4dB label indicates a higher signal level from professional equipment, while the -10dB label indicates a lower signal level from consumer-level equipment.

The Yamaha HS8 is rear-ported, meaning that placing the studio speakers close to a wall will increase the bass response, potentially leading to phase cancellations of lower midrange frequencies due to room reflections. To counter this, you’ll need acoustic panels behind the studio monitors to absorb these reflections and attenuate the bass with the room control switch to prevent unwanted bass build-up.

If you’re keen to learn more, check out our full review of the Yamaha HS8!

Product Info

  • Power Configuration: Bi-amped
  • LF Driver Size: 8″ woofer
  • HF Driver Size: 1″ tweeter
  • Total Power: 120W
  • LF Driver Power Amp: 75W
  • HF Driver Power Amp: 45W
  • Frequency Response: 38Hz-30kHz
  • Crossover Frequency: 2kHz
  • Input Types: 1 x XLR, 1 x 1/4″ TRS
  • Weight: 21.6 lbs (10.2 Kg)


  • Room control and high-trim controls for getting optimal room response
  • Large magnets in an Advanced Magnetic Circuit design


  • Affordable
  • Neutral frequency response with crisp highs and warm mids
  • Good bass response
  • One of the best home studio monitors for beginners in music production
  • Many users are familiar with its sonic characteristics


  • No mounting options
  • High ends can sound harsh

2. ADAM Audio AH8 – Best of the Best Studio Monitor (US$1,499.99 Each)

Why would you want this Studio Monitor?

Budget is not an issue, and you just want the best professional studio monitors.

ADAM Audio A8H-Front
ADAM Audio A8H-Side
ADAM Audio A8H-Back


ADAM Audio is renowned for crafting high-fidelity studio monitors that deliver unparalleled clarity and precision. Their AX-Series of studio monitors are trusted by audio professionals worldwide for their exceptional sound reproduction and innovative design. ADAM Audio aims to continue its technological stride with the new A8H 3-way studio monitor. These high-end studio monitors are so good that they can even be used for professional studios.

As the successor to the A8X 2-way studio monitors, the A8H brings a host of upgrades to the table. The woofer, for instance, is made from the latest technology of Multi-Layer Mineral (MLM) stone fibers, a material that was unavailable for previous models. These layers of mineral stone fibers are baked together to create a lightweight material that delivers an ultra-clean response with minimal distortion.

The A8H also boasts larger front-firing bass ports than its predecessor, resulting in lower distortion and better frequency response. This, coupled with the MLM fiber woofer, results in a bass response that is strong, punchy, and extends down to 31 Hz without any muddiness.

But the A8H isn’t just about the bass. The newly added 3.5-inch mid-frequency drivers deliver a balanced, neutral, and full-bodied sound in the mid-range. As YouTuber Colt Capperrune puts it, “The magic is in the midrange.”

The high-ends are extended, incredibly clear, and well-balanced without causing ear fatigue. The quality of its high-frequencies can be attributed to its proprietary German handmade precision X-ART tweeter with a rotatable HPS waveguide.

The ADAM Audio A8H has a very tight sweet spot. The phantom center does not shift when you move around the room; instead, it appears to remain fixated on a specific spot. This monitor also boasts an impressive soundstage, enabling you to visualize the placement of each instrument.

Compared to the previous A8X model, the A8H takes customization to a new level. The rear panel of the A8X has simple dials for room adaptation settings, but the A8H offers a 4-band EQ with various gain settings for room correction, allowing for quick adjustments to suit various recording spaces. However, the real magic lies in its built-in DSP and accompanying A Control software.

Connect the A8H to your computer via ethernet, and you’ll unlock a world of precision tuning with A Control. The software offers six bands of parametric equalization, each adjustable for gain, frequency, and Q value. Plus, you can remotely control all speaker settings, saving you the hassle of reaching behind the studio monitors.

The A8H also integrates with Sonarwork’s SoundID Reference, allowing for a customized calibration curve based on your room’s acoustics. The best part is that you can export this calibration file to the A8H’s DSP, ensuring optimized tuning even when the software isn’t running.

Finally, the A8H offers three ‘Voicing’ profiles. ‘Pure’ provides a flat, honest representation, ‘UNR’ offers a vibrant, consumer-speaker-like response, and ‘Ext’ allows you to calibrate the 6 EQ band using A Control or to use the Sonarwork’s SoundID Reference app.

If you’re keen to learn more, check out our full review of the ADAM Audio A8H!

Product Info

  • Power Configuration: Tri-amped
  • LF Driver Size: 8″ woofer
  • LF Driver Type: Multi-Layer Mineral Fiber
  • MF Driver Size: 3.5″ river
  • MF Driver Type: Dome Cone Hybrid, Multi-Layer Mineral Fiber Cone
  • HF Driver Type: Rotatable X-ART with HPS Waveguide
  • Total Power: 340W
  • LF Driver Power Amp: 250W
  • MF Driver Power Amp: 70W
  • HF Driver Power Amp: 20W
  • Frequency Response: 34Hz-41kHz (-3dB), 31Hz-45kHz (-6dB)
  • Crossover Frequency: 400 Hz, 3.0 kHz
  • Maximum Peak SPL @ 1m: 105dB (sine bursts), 116dB (IEC-weighted noise)
  • Connection Types: 1 x XLR, 1 x RCA, 1 x RJ45 for ethernet cable
  • Weight: 13.6 kg (30 lb)


  • 8″ Multi-Layer Mineral woofer with a large front-firing port for a strong and bassy response
  • 3.5-inch Multi-Layer Mineral mid-range driver for a full-bodied sound
  • Hand-folded X-ART tweeter for crisp and natural high-ends
  • Rotatable tweeter waveguide for different speaker orientation
  • 4-band Room Adaptation settings for quick EQ adjustments
  • 6-band parametric equalization for more granular control
  • 3 unique Voicing Profiles for flat or colored response
  • Integration with Sonorworks SoundID Reference with set-and-forget style calibrated audio
  • Onboard DSP integrated with A Control software for remotely adjusting speaker settings and storing calibrated audio
  • 5-year warranty


  • One of the best studio monitors for mixing and critical listening
  • Incredibly detailed, accurate, and flat sound
  • Punchy and deep bass, full-bodied mids, and crisp highs
  • Less ear fatigue during long mixing sessions
  • UNR profile allows for listening pleasure
  • Highly customizable for various room types and listening settings
  • Can have audio perfectly calibrated to your room’s acoustics


  • Costly
  • Takes up space

3. Focal Alpha 80 Evo – Best Value for Money (US$499.00 Each)

Why would you want this Studio Monitor?

You want a pair of high-end studio monitors that will give you the best bang for your buck.

Focal Alpha 80 Evo-Front
Focal Alpha 80 Evo-Front with grill
Focal Alpha 80 Evo-Side
Focal Alpha 80 Evo-Side with grill
Focal Alpha 80 Evo-Back


The French manufacturer, Focal, has been making professional studio monitors and speakers for decades. While its Alpha Evo series is considered its entry-level range of studio monitors, its quality is so impressive that you might think it’s one of the best studio monitors out there.

Despite its size, the Focal Alpha 80 Evo is a powerhouse that delivers stunning stereo imaging and clarity. It can hold its own against the Focal Trio11 Be, a professional reference monitor almost 10 times its price, when it comes to filling a studio with sound and maintaining a respectable low-end. The volume on the Alpha 80 Evo can be cranked up without any loss of clarity, and it has a wide frequency response with good bass extension that can be felt quite palpably.

The Alpha 80 Evo has superior sound to the popular Yamaha HS8, especially in the top end, where the HS8 can sound quite harsh. While it is about $100 more expensive than the Yamaha HS8 (for each piece, not a pair), the superior sound quality of the Alpha 80 Evo makes it a very attractive price point.

The Alpha 80 Evo’s impressive sound is largely due to its premium build quality. The low end is driven by Focal’s proprietary Slatefiber cone, crafted from recycled non-woven carbon fiber blended with thermoplastic polymer. This innovative design improves the transient reaction time, resulting in a full, warm bass with superior damping.

The high frequencies are handled by a 1-inch inverted dome tweeter, seated in a custom dispersion-controlling waveguide. This ensures that the higher frequencies sound polished, providing a detailed sound with no harshness in tone. The mid-tones also deliver crisp clarity that is hard to beat, with sharp and defined vocals.

Another significant factor contributing to its amazing sound is its large front-firing laminar port. This design offers a better low-end extension than the previous model that used a dual port design. The result is a more robust and fuller sound that fills the room.

For those with children or pets, the Alpha 80 Evo also comes with optional metal grille covers for the drivers, adding an extra layer of protection.

In terms of power efficiency, the Alpha 80 Evo is a step up from its predecessor. Despite outputting almost the same sound pressure levels, it does so with 25W less power (115W instead of 140W). This not only makes it more energy-efficient but also more cost-effective in the long run.

The Alpha 80 Evo offers a balanced XLR and ¼” input and an unbalanced RCA for inputs. The input sensitivity can be switched between 0 or +6dB, providing you with more control over your sound.

There are two knobs for room tuning to adjust the levels for low and high-frequency shelving. Despite having only two filter controls, you can reduce the highs without them sounding muffled or adjust the bass without sounding overpowered or muddy.

The Alpha 80 Evo also has a convenient sleep mode feature that switches off the monitor speakers after 15 minutes of inactivity and reactivates when the signal returns. This not only helps to conserve energy but also extends the lifespan of the monitor speakers.

If you’re keen to learn more, check out our full review of the Focal Alpha 80 Evo!

Product Info

  • Power Configuration: Bi-amped
  • LF Driver Size: 8″ woofer
  • LF Driver Type: Slatefiber cone
  • HF Driver Size: 1″ tweeter
  • HF Driver Type: Aluminum inverted dome
  • Total Power: 115W Class D
  • LF Driver Power Amp: 80W
  • HF Driver Power Amp: 35W
  • Frequency Response: 38Hz-22kHz
  • Maximum Peak SPL: 106 dB SPL @ 1m
  • Input Types: 1 x XLR, 1 x RCA, 1 x 1/4″ TRS
  • Weight: 21.6 lbs (9.8 Kg)


  • Proprietary 8″ Slatefiber cone woofer for a tight bass
  • Large front-firing laminar port
  • Connect up to 3 audio sources
  • Automatic standby mode after 15 minutes
  • Metal protection grilles for drivers
  • Inserts for wall and ceiling fastening


  • One of the best studio monitors in terms of sound quality, not far off from the ADAM Audio A8H.
  • Neutral sound across the full frequency spectrum
  • Wide dispersion and loud enough to fill a medium-sized room with accurate sound
  • Good tonal balance and clarity at high and low volume
  • Durable with high-quality materials
  • Modern-looking and aesthetically pleasing


  • None

Focal Alpha 80 Evo-Front

Focal Alpha 80 Evo

4. ADAM Audio A7V – Best 7-inch Studio Monitor (US$799.99 Each)

Why would you want this Studio Monitor?

You have a smaller studio space and can’t afford the A8H, but still want the premium sound of the ADAM Audio A-series high-end studio monitors.

ADAM Audio A7V-Front
ADAM Audio A7V-Side
ADAM Audio A7V-Back


The ADAM Audio A7V is a studio monitor that embodies the meticulous craftsmanship and high-fidelity sound that ADAM Audio is renowned for. It shares the same unique features as its larger counterpart, the A8H, making this an exceptional studio monitor.

The A7V excels in delivering exceptional clarity in the mid and high-range frequencies, even at higher volumes. This is largely due to the rotatable X-ART tweeter, a feature it shares with the A8H. This proprietary technology ensures a detailed and smooth high-frequency response, resulting in a rich, warm sound devoid of harshness.

In terms of low-frequency response, the A7V is precise and well-defined, though it does not reach the depth of larger 8-inch monitors such as the A8H or the Focal Alpha Evo 80. However, it still provides a robust bass response that is more than sufficient for most mixing and music production environments.

One area where the A7V truly distinguishes itself is in its mid-range clarity. Unlike larger monitors, which can sometimes compromise on mid-range definition, the A7V provides a clear and detailed mid-frequency response. This is particularly beneficial when working with vocals or complex instrumental arrangements.

Compared to ADAM Audio’s more budget-friendly monitor, the T7V, the A7V demonstrates superior balance and detail. Vocals are rendered with natural detail, while drums sound tight and well-defined.

Like the A8H, the A7V also offers extensive customization options. Its built-in DSP and accompanying A Control software allow for precise tuning and adaptation to the unique acoustics of your studio. Furthermore, it integrates seamlessly with Sonarwork’s SoundID Reference, enabling a customized calibration curve to optimize the monitor’s performance further.

Product Info

  • Power Configuration: Bi-amped
  • LF Driver Size: 7″ woofer
  • LF Driver Type: Multi-Layer Mineral Fiber
  • HF Driver Type: Rotatable X-ART with HPS Waveguide
  • Total Power: 130W
  • LF Driver Power Amp: 110W
  • HF Driver Power Amp: 20W
  • Frequency Response: 44Hz-41kHz (-3dB), 40Hz-45kHz (-6dB)
  • Crossover Frequency: 2.8kHz
  • Maximum Peak SPL @ 1m: 105dB
  • Connection Types: 1 x XLR, 1 x RCA, 1 x RJ45 for ethernet cable
  • Weight: 8.7 kg (19.18 lbs)


  • 7″ Multi-Layer Mineral woofer with a dual front-firing port for tight bass response
  • Hand-folded X-ART tweeter for crisp and natural high-ends
  • Rotatable tweeter waveguide for different speaker orientation
  • 4-band Room Adaptation settings for quick EQ adjustments
  • 6-band parametric equalization for more granular control
  • 3 unique Voicing Profiles for flat or colored response
  • Integration with Sonorworks SoundID Reference with set-and-forget style calibrated audio
  • Onboard DSP integrated with A Control software for remotely adjusting speaker settings and storing calibrated audio
  • 5-year warranty


  • One of the best studio monitors for mixing and critical listening
  • Incredibly detailed, accurate, and flat sound
  • Tight and detailed in the bass and mids, with clarity in the high ends
  • Less ear fatigue during long mixing sessions
  • UNR profile allows for listening pleasure
  • Highly customizable for various room types and listening settings
  • Can have audio perfectly calibrated to your room’s acoustics


  • Costly
  • Less presence in the low-ends

5. KRK Rokit 8 G4 – Best Budget Studio Monitor (US$299.00 Each)

Why would you want this Studio Monitor?

You want an affordable studio monitor that has great and accurate sound.

KRK Rokit 8 G4-Front
KRK Rokit 8 G4-Side
KRK Rokit 8 G4-Back


The KRK Rokit series has always been a crowd favorite, standing shoulder-to-shoulder with the likes of the Yamaha HS8. However, with the release of the Rokit 8 G4, KRK has shown that they are not content to rest on their laurels. And for its price, you’re certainly getting a lot more than what you’ll be paying for compared to other monitors.

The KRK Rokit 8 G4’s design is a blend of the classic and the contemporary, with the iconic yellow coned woofer of the KRK brand mellowed out to a more subdued hue. The matte finish, available in black or white, adds a touch of sophistication.

The front-firing bass port is not just visually appealing, it delivers a balanced sound, and you don’t have to worry as much about placing it close to your front wall. The monitor also comes with isolation pads at the bottom, a feature often missing in other studio monitors, saving you the extra expense of buying them separately.

The KRK Rokit 8 G4 boasts an 8-inch Kevlar cone woofer and a 1-inch Kevlar dome tweeter. These low-distortion Kevlar cones are a significant upgrade from the glass-Aramid composite woofer and 1” soft-dome tweeter of the G3 model. They are incredibly stiff and light, so they don’t vibrate as aggressively and are more agile and reactive, bringing more life to the midrange tones compared to the older G3 model. Additionally, they help control the low ends, ensuring a flatter response and dispelling the old stereotype of KRK Rokits as mere bass monsters for electronic music production.

The KRK Rokit 8 G4 also comes with a bi-amp design, offering independent sound output for the tweeter and woofer. This, coupled with a frequency response that ranges between 36Hz and 40kHz, ensures a sound quality that is both rich and detailed.

It also has a high total power output of 203W – 68W for the high-frequency amp and 135W for the low-frequency amp. It uses Class D amps which are more efficient and run at lower temperatures than the previous models using Class A/B, ensuring a more balanced and neutral sound across the frequencies.

A unique feature of this monitor is the visual LCD screen at the back, paired with a volume knob that also controls its DSP-driven onboard EQ. This knob doubles as a selection confirmation button. With the LCD display, you can adjust the monitor’s volume and make EQ changes, such as attenuating or boosting the high or bass frequencies.

The KRK Rokit 8 G4 also offers access to the KRK audio tools app, with features like spectral analysis for real-time insight into sound changes. It also guides you in choosing the optimal placement for your monitor speakers and the ideal level matching.

However, the Rokit 8 G4 isn’t without its drawbacks. The KRK app is also a bit glitchy and not the most user-friendly, which can be a bit of a letdown. However, with its quality and features at the price point of $299, it is still one of the best home studio monitors you can get.

If you’re keen to learn more, check out our full review of the KRK ROKIT 8 G4!

Product Info

  • Power Configuration: Bi-amped
  • LF Driver Size: 8″ woofer
  • LF Driver Type: Kevlar cone
  • HF Driver Size: 1″ tweeter
  • HF Driver Type: Kevlar dome
  • Total Power: 203W Class D
  • LF Driver Power Amp: 135W
  • HF Driver Power Amp: 68W
  • Frequency Response: 36Hz-40kHz
  • Maximum Peak SPL: 111 dB SPL
  • Input Types: 1 x balanced XLR-1/4″ TRS combo
  • Weight: 22.6 lbs (10.25 Kg)


  • Low-distortion Kevlar drivers for balanced and controlled sound
  • Class D power amplifier drives the speakers evenly at reduced operating temperatures
  • DSP with room tuning and 25 EQ settings adjustable through LCD display
  • Built-in Brick Wall Limiter maintains a balanced sound with wider dynamics and protects the system
  • High-density Iso-foam pad at the base of the speaker
  • KRK App with a spectrum analyzer, monitor alignment, delay tool, polarity tool, level meter tool, and EQ recommendation


  • Good value for money
  • Very affordable
  • Durable with high-quality materials
  • High power output with a good balanced and neutral sound
  • Customizable EQ settings allow you to get the kind of sound you want
  • KRK App allows you to set up your monitors quickly and optimally


  • The KRK App is glitchy and uses your smartphone’s microphones which can be unreliable

Frequently Asked Questions (FAQ)

The budget is probably the most important factor in deciding on the best studio monitors for your home studio setup(and that goes for anything else).

The sound quality is likely the next most crucial factor. Studio monitors must present an unbiased representation of the music you are mixing. They should possess a flat frequency response, accurately depicting your mix without any coloration or enhancement. This degree of precision enables you to make informed decisions about your mix, whether it involves adjusting the volume or fine-tuning the EQ.

Another overlooked yet equally critical factor is how you want your mixes to sound. Here’s an insightful tip from Justin Colletti of SonicScoop – your mixes will, to some extent, sound like the inverse of your studio monitors. This statement was a revelation, a moment of clarity that seemed so intuitive once expressed, yet it had never crossed my mind.

You see, most novice music producers understand the need for a flat frequency response from their studio monitors. However, they often choose studio monitors that are more pronounced in the frequency they are trying to mix.

For example, if you aim to mix a song with a significant amount of bass, you might choose a studio monitor that emphasizes bass. This could lead you to reduce the bass levels because it sounds overly dominant. As a result, when your mix is finalized, you might wonder where all the bass has gone.

Another important thing to note is you need studio acoustic treatment to control the reflections and the right speaker placement to find the sweet spot for a listening position. Otherwise, even the best studio monitors will give an inaccurate representation of your mix in a poorly treated room with the wrong listening position.

Yes, indeed! Larger studio monitors usually feature larger woofers, which can produce a fuller, richer bass sound. Even the best studio monitors with a 5-inch woofer may not achieve the same bass extension and clarity as an average studio monitor equipped with an 8-inch woofer. Therefore, the best studio monitors are often large ones.

However, larger monitors also produce sound at a higher volume level. Working in a small room could result in a too-loud mix and potential distortion or other sound quality issues. Smaller monitors might be a better fit in a small home studio setup.

Passive monitors vs Active Monitors

Active studio monitors have built-in amplifiers for each driver component (typically the tweeter and the woofer. This design allows for better control over the sound produced, as each amplifier can be specifically tuned for the component it’s driving.

Active monitors are also more convenient because they don’t require external amplifiers or complex cabling setups. However, they tend to be more expensive and require individual power sources for each monitor.

On the other hand, passive studio monitors require an external amplifier to function. The external amplifier powers all the speaker components. This setup allows for more customization, as you can choose an amplifier that suits your needs.

However, matching an amplifier to passive monitors can be complex, requiring knowledge of power ratings and impedance. Passive monitors also require more cabling and can be less efficient, but they are typically less expensive than active monitors.

A quick way to check if you have passive or active monitors is that the back of active studio monitors always has a main outlet.

studio monitors vs consumer speakers

Studio monitors are designed to provide a flat, accurate, and uncolored representation of the audio. They reveal every detail of the sound, including any flaws, allowing audio professionals to make precise adjustments during music production. Hence, making them one of the most critical pieces of equipment in a home studio setup.

Consumer speakers, on the other hand, are often designed to make the audio sound pleasing to the listener. They may enhance certain frequencies, like boosting the bass or treble, to create a more enjoyable listening experience. However, this coloration can mask certain details in the audio.

Connecting studio monitors to PC

The way to get the best audio quality from your studio monitors is by connecting your computer to an audio interface and then connecting from the audio interface to your studio monitors. Alternatively, you can use a digital audio mixer if you need real-time mixing and audio effects or if you have multiple studio monitors.

We have articles recommending some great budget audio interfaces as well as modern digital mixers.

You first need to connect the audio interface to your computer using a USB cable, most modern audio interfaces support a USB type-C connection. Some audio interfaces also require you to install a driver onto your computer.

Use balanced cables (TRS or XLR) to connect your audio interface’s outputs to your studio monitors’ inputs. Balanced cables are recommended because they can reduce noise and interference. (Note: A TS cable is unbalanced)

Next, go to your computer’s sound settings and set the audio output to your audio interface. Otherwise, the sound will continue to play from your computer speakers.

Finally, adjust the volume on your audio interface and studio monitors to a suitable level. You should now be able to play music from your computer to your studio monitors.

There are alternative methods, such as using a 3.5mm TRS to dual 1/4″ TS cable. Additionally, some studio monitors feature RCA inputs, which allow for the use of a 3.5mm to 2 RCA auxiliary cable for connection. However, these methods are generally not recommended due to the potential for electrical interference from other electronic devices.

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