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Best Shotgun Mics that Will Blow Your Mind in 2023

Are you hunting for a high-quality shotgun mic to take your videos to the next level? Look no further; I’ve got you covered with my top picks for the best shotgun mics in 2023.

Whether you’re a beginner just starting out with your DSLR camera, a vlogger on the go, or an experienced filmmaker conducting an interview or audio recording, there’s a shotgun mic out there for you.

Let’s jump in and check out these awesome mics that made the cut. From budget-friendly options to the best of the best, I’ve got all the details you need to know.

So, grab a cup of coffee (why do people always say that?) and get ready to upgrade your audio game with these top-of-the-line shotgun mics!

What are the Best Shotgun Mics?

What are the best shotgun mics in 2023?

1. Rode VideoMic NTG – Most Versatile Shotgun Microphone ($249)

Why would you want this shotgun mic?

You want one shotgun microphone that can do everything. The shotgun mic you should choose if you only have one choice.

Rode Videomic NTG on Shock Mount
Rode Videomic NTG
Rode VideoMic NTG on Mic Stand

Overview

The Rode VideoMic NTG is the Swiss Army Knife of shotgun microphones and has received rave reviews since its launch. This impressive microphone is jam-packed with features in a sleek design, making it one of the most versatile shotgun microphones on the market. Check out our full review of the Rode VideoMic NTG.

The supercardioid polar pattern on the VideoMic NTG makes it highly directional and perfect for rejecting background noise.

Its flat frequency response gives a natural and warm sound quality, and it sounds surprisingly identical to the Rode NTG5 XLR shotgun mic, which is almost double in price. The difference with XLR mics like the Rode NTG5 is that you need expensive DSLR audio mixers to use the microphone with a DSLR camera. In contrast, the VideoMic NTG can be connected directly to a DSLR video camera with a TRS cable.

You can also connect this shotgun microphone to your computer through USB, turning it into a USB microphone without needing an audio interface. This same USB port is used for charging the mic. In USB mode, the 3.5mm output jack doubles as a headphone output that can be used for zero-latency direct monitoring.

The VideoMic NTG uses an internal rechargeable battery, which provides 30+ hours of audio recording per charge. Since this shotgun mic can provide its own gain, you don’t need to rely on your DSLR camera’s low-quality mic preamps to get audible sound. Simply turn up the mic’s stepless gain dial and lower the camera’s audio levels to get clear, noise-free audio.

Another great feature is the auto-sensing 3.5mm output that detects whether you connect to a DSLR video camera or mobile device. All you need to do is connect the provided TRRS to TRRS cable, and this shotgun microphone will detect the connected device like magic. No more fumbling and figuring out whether to use a TRS or TRRS cable.

Also, this shotgun microphone automatically turns on with the camera and vice versa. This ensures you never forget to switch on your microphone and miss out on an audio recording.

One of the best features of the Rode VideoMic NTG is its safety channel, which records a separate audio track onto the right channel at -20dB (the original audio recorded on the left channel). This will save you from situations where the original audio is clipping, and you cannot record the event a second time. You can still use the second track recorded at a lower gain.

It has useful features for live situations where you have to give the audio some quick processing. It has a -20db pad for places with loud sounds, a presence boost where you want to add clarity to the audio, and a low-cut filter (75hz or 150hz) for removing low background noise such as fans, air-conditioning, and wind noise.

The provided Lyre cold shoe shock mount has sliding rails to adjust the mic’s position, allowing it to be moved out of sight of a wide-angled lens or brought forward when using the camera’s viewfinder. The shock mount also features cable management slots to keep your cables organized and prevent them from dangling.

There are a few things to remember with the VideoMic NTG, though. The 120 db Max SPL might not be high enough to record loud instruments, so close miking an electric guitar amp may sound distorted.

Additionally, the rechargeable battery may start to lose its charge over time, and unfortunately, the battery cannot be replaced.


Product Info

  • Polar Pattern: Supercardioid
  • Transducer Type: Pressure gradient electret condenser
  • Power Requirements: Internal batteries
  • Frequency Response: 35 Hz to 18,000 Hz
  • Sensitivity: -26 dBV/Pa (50 mV/Pa) @1kHz
  • Max SPL: 120 dB
  • Output Connection: 3.5 mm auto-sensing, USB-C
  • Weight: 94g
  • Accessories: SM7-R Rycote Lyre shock mount, TRRS to TRRS cable, 3.5mm to USB-C cable, 3.5mm to lightning cable, windshield

Features

  • Internal rechargeable battery with 30+ hours of audio recording
  • Variable stepless gain control knob
  • Auto-sensing 3.5mm output
  • Automatic on/off when connected to the camera
  • Safety channel for recording a second track at -20dB
  • USB-C port for direct connection to a computer
  • 3.5mm jack doubles as a headphone output in USB mode
  • -20db pad, 75Hz and 150Hz high-pass filter, and high-frequency boost

Pros

  • Most number of features amongst the mics in this list
  • Many built-in idiot-proof safety features
  • High-quality audio, comparable to much pricier models
  • Very versatile and can be used for any situation
  • Well-built and durable with a sleek design

Cons

  • The rechargeable battery might lose its charge over time
  • Not beginner friendly

Rode VideoMic NTG

Rode VideoMic NTG


2. Deity V-Mic D4 – Best Value for Money ($99)

Why would you want this shotgun mic?

You want the best bang for your buck shotgun microphone.

Deity D4 on Shock Mount
Deity D4
Deity D4 with windshield

Overview

If you were reading the Rode Videomic NTG review and want a microphone of similar sound quality without all the fancy features, then the Deity V-Mic D4 is the answer. At less than half the price of the Videomic NTG, the Deity V-Mic D4 is the mic that provides the best bang for your buck on this list.

For just $99, this mic is an absolute steal. The V-Mic D4’s audio EQs beautifully with a well-balanced sound that slightly favors mids. Its supercardioid polar pattern provides excellent sound isolation, perfect for capturing your voice along a bustling city street.

This shotgun microphone also has pleasantly low self-noise and excellent protection against radio frequency and electromagnetic interference, making it ideal for use in quiet places and critical audio recording.

The Deity D4 operates with a user-replaceable AAA battery, lasting up to 60 hours with a lithium battery. You no longer have to worry about those irreplaceable rechargeable batteries losing their charge over time.

Like the Rode Videomic NTG, the battery power allows the Deity D4 to provide sufficient clean gain using its stepless gain knob, which ranges from -5 to +10 db. Hence it does not have to depend on the gain provided by a DSLR camera.

The Deity D4 has a USB-C output port that lets you connect to digital or analog devices, from DSLR cameras and audio recorders to PCs, Macs, and mobile devices.

The provided shock mount effectively eliminates handling noise and vibrations, perfect for your on-the-go vlogging needs.

The shock mount is attached to a cold shoe mount with a sliding rail that allows for attaching a wireless transmitter like the Rode Wireless GO II. The sliding rail also allows for adjusting the mic’s position to get it out of the way of wide-angle lenses or when using the viewfinder.

The cold shoe mount can swap between 3/8″ and 1/4″ mounting solutions using a thread adapter to mount the mic to a boom pole or mic stand.

One downside is that it doesn’t have a 3.5mm headphone monitoring output, so you’ll need to listen through your computer – which can have some latency.


Product Info

  • Polar Pattern: Supercardioid
  • Transducer Type: Pre-polarized condenser
  • Power Requirements: Single AAA battery
  • Frequency Response: 50 Hz to 20,000 Hz
  • Sensitivity: -42 dBV/Pa (7.9 mV/Pa) @1kHz
  • Max SPL: 130 dB
  • Output Connection: USB-C
  • Weight: 55g
  • Accessories: V-Mic shock mount, foam pop filter, Deadcat windscreen, USB-C to USB-C Cable, USB-C to TRRS Cable, USB-C to TRRS Cable (Sony Compatible), 1/4” to 3/8” Thread Adapter, one AAA battery

Features

  • Operates with a single replaceable AAA battery
  • Variable stepless gain knob ranging from -5 to +10 db
  • Automatic on/off when connected to the camera

Pros

  • Best bang for your buck shotgun microphone on this list
  • Crisp and warm audio quality that favors mids
  • The battery can be replaced
  • Effective and versatile shock mount
  • Low self-noise and radiofrequency interference

Cons

  • No headphone jack for monitoring


3. Rode NTG3 – Best of the Best Shotgun Mic ($699)

Why would you want this shotgun mic?

You need the best industry-grade broadcast shotgun mic for filmmaking, interviews, and content creation.

Rode NTG3 Front
Rode NTG3 Side
Rode NTG3 windshield

Overview

If you’re an indie filmmaker looking for one of the best shotgun mics with the highest audio quality to capture the sultry voices of your actors, look no further than the Rode NTG3.

The NTG3 is Rode’s flagship microphone with a supercardioid polar pattern. This long shotgun microphone effectively isolates sounds directly in front of it while rejecting noise from the sides.

The NTG3 has a flat frequency response that gives accurate sound representation and excels at capturing the low ends of human voices while maintaining the clarity of the high frequencies.

It delivers smooth, warm audio on par with the industry-standard Sennheiser MKH 416. Plus, with a low equivalent noise level of just 13dbA and extremely low handling noise, you won’t have to worry about unwanted background noise ruining your recordings.

But the NTG3 isn’t just great for recording in the studio or controlled environments. It has an RF condenser design that makes it highly resistant to moisture and condensation, making it an excellent choice for outdoor shoots and adverse conditions. Even in humid environments, the audio quality remains crisp and clear.

The NTG3’s all-metal body is incredibly durable and well-built, able to withstand shocks and multiple drops. And with a 10-year warranty, you can trust that this shotgun mic will be with you for the long haul.

When you’re not using the NTG3, you can store it safely in the provided water-resistant aluminum storage cylinder with interior protective foam.

If you want to get rid of wind noise, you might want to consider investing in the Rode WS7 Deluxe Windshield, which is a Deadcat furry windscreen to protect your mic from the elements.

For the ultimate shock and wind protection, you’ll want to go for the Blimp with the Dead Wombat windshield. This industry-grade system features a Rycote Lyre suspension system for superior isolation from handling noise and an ultra-lightweight and ergonomic handle.

The downside to the Rode NTG3 (other than the price) is that it is not ideal for run-and-gun vlogging due to its length. It’s better to attach it to a boom pole rather than make your DSLR camera look like a fishing rod.

Additionally, you’ll need to spend extra to get a DSLR audio mixer like the Comica CVM-AX3 to convert XLR to 3.5mm TRS and provide phantom power to the mic. Otherwise, you would have to go through the trouble of recording on a standalone audio recorder and syncing the audio and video during post-processing. But then again, who needs money for food when you’ve got a mic this good?


Product Info

  • Polar Pattern: Supercardioid
  • Transducer Type: Condenser RF biased
  • Power Requirements: +48V phantom power
  • Frequency Response: 40 Hz to 20,000 Hz
  • Sensitivity: -30 dBV/Pa (31.6 mV/Pa) @1kHz
  • Max SPL: 130 dB
  • Output Connection: 3-pin XLR male
  • Weight: 163g
  • Accessories: stand mount, 5/8″ to 3/8″ mic stand adapter, zip pouch, windshield, aluminum storage cylinder

Features

  • N/A

Pros

  • One of the best shotgun microphones for high-quality audio
  • Crisp and warm quality audio that is ideal for filmmaking
  • High sensitivity
  • Low handling and self-noise
  • Highly durable and well-built
  • It has a 10-year warranty and can last a lifetime
  • Resistant to moisture and can withstand harsh environments

Cons

  • Expensive (but worth its value)
  • Less recognized than the Sennheiser MKH 416 (but not inferior)
  • Only has an XLR connection
  • No special controls and filters


4. Sennheiser MKE 400 – Best Shotgun Mic for Vlogging ($199.95)

Why would you want this shotgun mic?

You want a high-quality and portable on-camera shotgun mic for outdoor vlogging.

MKE 400
MKE 400 left side
MKE 400 right side
MKE 400 integrated shock mount
MKE 400 on DSLR camera
MKE 400 on Sony camera

Overview

The Sennheiser MKE 400 is the best DSLR microphone for vloggers and outdoor content creators. It’s a portable on-camera mic that delivers excellent sound quality, is easy to use, and has unique features that make this the best shotgun microphone for vlogging.

The Sennheiser MKE 400 is a supercardioid shotgun mic that delivers crystal clear quality audio with a crisp high-end and a mid-range boost unmatched by other portable shotgun mics, like the Deity D4 Mini or the Rode Videomicro. Plus, its off-axis rejection capability is top-notch, it does very well at rejecting unwanted noise from the sides.

Unlike other shotgun mics that stick out like a sore thumb, the MKE 400 is a compact shotgun mic that blends seamlessly with your camera setup.

Remember, I mentioned unique features? The most amazing feature is its integrated wind protection and internal shock mount, a total game-changer. It’s like Sennheiser decided to take one of its great-sounding shotgun microphones and enclose it in a miniature Blimp.

The integrated shock mount and wind protection are so effective at removing handling and wind noise, and the best part is you don’t have to bring along a Deadcat windshield or one of those Rycote Lyre shock mounts with you.

This on-camera DSLR mic also has a built-in 200Hz low-cut filter which removes low-frequency rumbles like air-conditioning, car, and wind noise, further enhancing its ability to reject unwanted background sounds.

It has a 3-step sensitivity gain switch to adjust your gain sensitivity to optimize recording levels in different environments as well as a headphone output jack with volume adjustment for direct monitoring.

The MKE 400 has interchangeable 3.5 mm TRS and TRRS cables for connecting to mirrorless cameras, DSLR cameras, or mobile devices. It has a lockable microphone output jack positioned in front of the mic, ensuring the mic cable does not come loose or block the viewfinder of the DSLR video camera.

Similar to other smart mics like the Rode Videomic NTG and Deity D4, it has an automatic power on/off feature, which powers up the shotgun microphone when you turn on the camera, a great feature, especially if you’re a forgetful person.

This DSLR mic operates on two AAA batteries that provide up to 100 hours of usage, and it even has a red indicator light that comes on when there are 3 hours of battery life left. This gives you enough time to swap out the batteries before they go flat.

The downside to this already incredible DSLR microphone is that the self-noise is quite audible, especially when the sensitivity switch is turned to ‘+.’ But it might not be a deal-breaker if you use this DSLR mic for vlogging in a noisy environment.


Product Info

  • Polar Pattern: Supercardioid
  • Transducer Type: Pre-polarized condenser
  • Power Requirements: 2 x AAA batteries
  • Frequency Response: 50 Hz to 20,000 Hz
  • Sensitivity: -42 dBV/Pa (7.94 mV/Pa) @1kHz
  • Max SPL: 132 dB
  • Output Connection: 3.5mm screwable jack
  • Weight: 93.5g
  • Accessories: locking TRS to TRS coiled cable, locking TRS to TRRS coiled cable, furry windshield, drawstring pouch

Features

  • Integrated wind protection and shock mount
  • 200 Hz low-cut filter
  • 3-step sensitivity gain switch
  • Headphone output jack
  • Interchangeable 3.5 mm TRS and TRRS lockable connectors
  • Automatic on/off when connected to the camera
  • Replaceable AAA batteries
  • Low battery indicator

Pros

  • Best shotgun microphone for vlogging
  • Crisp and warm sound quality
  • You don’t need to bring a shock mount or windscreen, as these are integrated into the mic
  • Good off-axis rejection and low-cut filter can eliminate a lot of background noise
  • Has several key safety features like automatic on/off and low battery indicator
  • Lightweight, compact, and durable

Cons

  • Quite costly compared to similar models
  • Audible self-noise

Sennheiser MKE 400

Sennheiser MKE 400


5. Sennheiser MKE 440 – Best DSLR Microphone for Creating a Soundstage ($349.95)

Why would you want this shotgun mic?

You want to create videos with an immersive soundstage and realistic spatial perception.

MKE 440 left side
MKE 440 right side
MKE 440 integrated shock mount
MKE 440 on DSLR camera
MKE 440 on DSLR camera

Overview

If you thought the MKE 400 was unique, wait till you see the MKE 440. Sennheiser is constantly pushing the boundaries of microphone technology, and the MKE 440 is proof of that. It’s unbelievable how Sennheiser managed to cram two MKE 400s into a V-shaped pattern to create an immersive three-dimensional soundstage.

What sets the Sennheiser MKE 440 DSLR mic apart is its innovative V-shaped dual shotgun mics that amplify frontal sounds and give a sense of spatial perception in the video. You’ll feel like you’re in that same physical space and hearing what your camera sees.

The MKE 440 has a similarly warm, crisp, high-quality audio to the Sennheiser MKE 400. It also has a built-in low-cut filter for cutting out low-frequency rumbles and a 3-step gain sensitivity switch for stepping up or down the gain in various environments.

Like the MKE 400, the MKE 440 has the same amazing integrated wind protection and internal shock mount that effectively removes wind noise and handling noise without requiring you to bring a shock mount or windscreen.

Additionally, the wind protection is a stainless steel micromesh shielding against electromagnetic interference so you can get crystal-clear audio every time.

The MKE 440 DSLR mic runs on 2 x AAA batteries that can last up to 100 hours, so you’ll never have to worry about running out of power during a shoot. Plus, the red indicator light comes on when there are only 4 hours of battery life left, giving you plenty of time to swap out batteries before they go flat.

One downside is that the 3.5mm cable is hard-wired into this DSLR microphone and cannot be detached if damaged. You will have to send the MKE 440 back to the supplier to get it fixed.

Also, the microphone does not automatically turn on with your DSLR video camera. You will have to remember to do this manually, or else you will be left with an empty audio track in your video.

But with all the other amazing features this DSLR mic offers, I think it’s a small trade-off for the incredible audio experience you’ll get.


Product Info

  • Polar Pattern: Stereo supercardioid
  • Transducer Type: Pre-polarized condenser
  • Power Requirements: 2 x AAA batteries
  • Frequency Response: 50 Hz to 20,000 Hz
  • Sensitivity: -42 dBV/Pa (7.94 mV/Pa) @1kHz
  • Max SPL: 132 dB
  • Output Connection: 3.5mm jack plug
  • Weight: 165g (without batteries)
  • Accessories: 2 x AAA batteries

Features

  • V-shaped dual mini shotgun mics
  • Integrated wind protection and shock mount
  • 200 Hz low-cut filter
  • 3-step sensitivity gain switch
  • Replaceable AAA batteries
  • Low battery indicator

Pros

  • The best shotgun microphone (or only microphone) that can create a three-dimensional soundstage without using another microphone
  • Crisp, warm, and high-quality audio
  • You don’t need to bring a shock mount and windscreen, as these are integrated into the mic
  • Good off-axis rejection and low-cut filter can eliminate a lot of background noise

Cons

  • Mic cable is not detachable
  • It does not have an automatic on & off feature like the MKE 400
  • No headphone monitoring output
  • No accessories provided

Sennheiser MKE 440


6. Sennheiser MKE 600 – Mid-Tier Professional Shotgun Microphone ($329.95)

Why would you want this shotgun mic?

You want a high-quality mid-tier shotgun microphone for professional indoor and outdoor recording.

Sennheiser MKE 600 on shock mount
Sennheiser MKE 600
Sennheiser MKE 600 on camera
Sennheiser MKE 600 with mobile device and gimbal

Overview

If you have a bigger budget but don’t want to splurge on the most expensive shotgun microphones, the Sennheiser MKE 600 is a superb mid-tier option! This powerhouse is like a lite version of the legendary Sennheiser MKH 416 and punches way above its weight for the price point.

The Sennheiser MKE 600 is excellent for both indoor and outdoor audio recording. It’s perfect for podcasting and professional studio work, as well as for mounting on a boom pole or DSLR camera for interviews, indie or documentary-style filmmaking.

It has a supercardioid polar pattern with better directionality and off-axis rejection than similar shotgun microphones, which is ideal for capturing high-quality audio in noisy environments.

The Sennheiser MKE 600 captures the smooth low end of human voices without sacrificing the crisp and intelligible high end that only a shotgun microphone can provide. In terms of audio quality, I would say it is superior to the Rode Videomic NTG but slightly inferior to the Rode NTG3 (or Sennheiser MKH 416) on this list, which is remarkable.

It also has a low-cut filter at 100 Hz, which effectively removes low-frequency rumbles from fans, air conditioning, and other background noise. Its low self-noise and radiofrequency interference rejection makes it a great choice for professional recordings.

The Sennheiser MKE 600 has versatile connectivity. It can be connected to an audio interface via an XLR cable or a DSLR camera using the provided KA 600 XLR to TRS adapter cable. You can also purchase the KA 600i XLR to TRRS adapter cable to connect this shotgun mic to a smartphone.

The mic requires phantom power but can be operated with a replaceable AA battery, which can last up to 150 hours and lights up with an LED when it’s down to 8 hours of battery life.

However, there are a few downsides to the Sennheiser MKE 600. It does not have a headphone jack for audio monitoring, and despite being battery-operated, it doesn’t have other filters like a treble boost or adjustable gain levels. Additionally, it doesn’t automatically turn on or off with the camera, so you must remember to manually turn it on and off.


Product Info

  • Polar Pattern: Supercardioid/lobar
  • Transducer Type: Condenser
  • Power Requirements: +48V phantom power or single AA battery
  • Frequency Response: 40 Hz to 20,000 Hz
  • Sensitivity: -34.4 to -33.5 dBV/Pa (19 to 21 mV/Pa) @1kHz
  • Max SPL: 126 – 132 dB
  • Output Connection: 3.5mm jack
  • Weight: 128g (without batteries)
  • Accessories: Shock mount, foam windshield, KA 600 XLR to TRS adapter cable, pouch

Features

  • It can be operated by phantom power or a single AA battery
  • 150 hours of battery life, low battery LED indicator with 8 hours left
  • Low-cut filter at 100 Hz

Pros

  • High-quality audio suitable for professional studio work and filmmaking
  • Crisp, warm, and smooth sound quality
  • Low handling and self-noise
  • Highly durable and well-built
  • Good value for money

Cons

  • The angle of the shock mount cannot be adjusted
  • Does not turn on and off automatically with the camera
  • No headphone monitoring jack
  • No adjustable gain levels or treble boost

MKE 600

Sennheiser MKE 600


7. Rode VideoMicro – Best Beginner Shotgun Mic ($49)

Why would you want this shotgun mic?

You are a beginner and want a cheap plug-and-play DSLR microphone without complicated controls.

Rode VideoMicro on Shockmount with TRS cable
Rode VideoMicro on Shockmount with TRS cable
Rode VideoMicro
Rode VideoMicro on Shockmount
Rode VideoMicro on Shockmount with TRS cable, side facing

Overview

The Rode VideoMicro is one of the best shotgun mics for beginners starting out in filmmaking and vlogging. This little guy is one of the most hyped-up budget shotgun microphones for DSLR cameras, and for a good reason.

The VideoMicro is a featherweight at just 42g, making it an ideal option for those always on the go.

But don’t let its small size fool you – the VideoMicro can be used as an external microphone to deliver crisp and clear audio quality better than the cheap internal microphone of DSLR video cameras.

Its cardioid polar pattern is great for focusing on sounds in front while rejecting side and back noises. And thanks to the included Lyre shock mount, you don’t have to worry about any knocks and bumps ruining your recordings.

It’s also a plug-and-play shotgun microphone, meaning you can easily attach it to your camera and start recording immediately – no batteries required. And the best part of all, if you are a beginner, is it doesn’t have any complicated controls to meddle with.

The VideoMicro is also built to last, with an aluminum body coated in a high-grade ceramic black anti-glare finish, so you don’t have to worry about dropping this thing.


Product Info

  • Polar Pattern: Cardioid
  • Transducer Type: JFET impedance converter
  • Power Requirements: N/A
  • Frequency Response: 100 Hz to 20,000 Hz
  • Sensitivity: -33 dBV/Pa (22 mV/Pa) @1kHz
  • Max SPL: 140 dB
  • Output Connection: 3.5mm TRS
  • Weight: 42g
  • Accessories: TRS to TRS cable, furry windscreen, Rycote Lyre shock mount

Features

  • N/A

Pros

  • Best shotgun microphone for beginners
  • The least expensive mic on this list
  • Decent sound quality
  • No batteries required
  • Good built quality
  • Plug and play, simple to use

Cons

  • Not much for the price you’re paying

Rode VideoMicro

Rode VideoMicro


8. Deity V-Mic D4 Mini – Best Budget Shotgun Mic ($49.95)

Why would you want this shotgun mic?

You just started out and are on a tight budget. You’re looking for an affordable on-camera external microphone that sounds decent.

Deity D4 Mini on shock mount
Deity D4 Mini on shock mount side view
Deity D4 Mini with Deadcat windshield on camera

Overview

If you want a quick review of the Deity V-Mic D4 Mini, it is basically a Rode VideoMicro with an additional mic input jack. They have similar prices and nearly identical sound quality, size, and build quality.

Despite being a compact mic, the V-Mic D4 Mini is an affordable on-camera DSLR mic that provides crisp and clear audio quality, a step up from the cheap internal microphone of DSLR video cameras. However, don’t expect it to sound like a Shure SM7B, especially when it’s so cheap.

One great thing about this shotgun mic, like the Rode VideoMicro, is that it doesn’t require any batteries. It’s handy as a backup or travel mic that you can easily use without any complicated setup.

The shotgun mic output jack is cleverly located at the side instead of the back of the mic, preventing the cables from getting in the way of the camera’s viewfinder.

The standout feature of the V-Mic D4 Mini is its 3.5mm mic input at the side of the shotgun microphone. When you plug another mic into this input, audio is sent to the right channel of your camera. This gives you versatility for plugging in a wired mic or even a receiver that can be used with wireless lavalier microphones.

The V-Mic D4 Mini ships with a TRS to TRRS cable, making it compatible with mobile devices and even adaptable to iPhones using a TRSS to lightning cable adapter.


Product Info

  • Polar Pattern: Supercardioid
  • Transducer Type: Prepolarized condenser
  • Power Requirements: N/A
  • Frequency Response: 20 Hz to 20,000 Hz
  • Sensitivity: -38 dBV/Pa (12.6 mV/Pa) @1kHz
  • Max SPL: 134 dB
  • Output Connection: 3.5 mm TRS Female
  • Input Connection: 3.5 mm TRS Female
  • Weight: 1oz (28g)
  • Accessories: TRS to TRS cable, TRS to TRRS cable, fur foam windscreen, Rycote Lyre shock mount

Features

  • Mic input port for connecting a second microphone or lav mic

Pros

  • The least expensive mic on this list
  • Decent sound quality
  • No batteries required
  • Good built quality
  • Versatile with the additional mic input jack

Cons

  • Not much for the price you’re paying


9. Sony ECM-B1M – Best DSLR Microphone for Sony Alpha Cameras ($348)

Why would you want this shotgun mic?

You want the best DSLR microphone for your Sony Alpha camera.

Sony ECM-B1M
Sony ECM-B1M side
Sony ECM-B1M control panel
Sony ECM-B1M on camera, front view
Sony ECM-B1M on camera, back view

Overview

If you’re looking for an external DSLR microphone for your Sony Alpha camera, forget about all the other shotgun microphones on this list and get the Sony ECM-B1M digital shotgun mic.

One of the best things about the ECM-B1M is that it is lightweight, compact, and has many integrated features that you won’t need to bring along any connecting cables, batteries, or shock mounts. This makes it a breeze to use on the go.

It has three switchable polar patterns – supercardioid, cardioid, and omnidirectional, to give you maximum flexibility for picking up sound in different scenarios.

The ECM-B1M has 8 microphone capsules that use beamforming technology to achieve extremely sharp directivity, effectively rejecting off-axis sound. The audio quality is incredibly clean and crisp when used in digital mode with a Sony camera that has a digital audio interface.

Since the ECM-B1M is connected and powered by the camera’s Multi-Interface Shoe, you won’t experience mechanical noise transmission through cables and connectors. And it doesn’t require any batteries, one less accessory you need to carry!

The integrated shock and vibration suppression is excellent at minimizing handling noise. The low-cut filter effectively removes low-frequency rumbles from fans, air-conditioning, and other background noise.

But what’s really incredible is the noise cancellation filter, which can remove a drastic amount of background noise; this enhances the ECM-B1M’s already impressive off-axis rejection capabilities, making it one of the best DSLR microphones for noisy environments. However, you might still want to add a windshield in case of strong winds.

Another great feature of the ECM-B1M is the sound attenuation switch, which allows audio padding in steps of 10db and 20db for situations with very loud sounds. On top of this, you can manually adjust the gain of the microphone, giving you complete control over your audio.

The only downside of the ECM-B1M is that Sony made one of the best DSLR microphones that can only be mounted to Sony cameras with a Multi-Interface Shoe.

Also, if you want to connect it to a boom pole or mic stand, you’re out of luck. Additionally, there’s no indicator light to tell you if the camera’s microphone or the ECM-B1M is in use, but this is a minor issue that can be easily overlooked.

NOTE: Connectivity with Sony Devices

Any Sony device with a Multi-Interface Shoe (Sony’s proprietary hot shoe) is compatible with the ECM-B1M microphone, including the entire A7 series cameras such as the A6300, A6400, A6500, and camcorders like the PXW-Z90V and FDR-AX700 4K.

However, only Sony devices with BOTH the Multi-Interface Shoe and a digital audio interface, such as the Sony a7R IV, can use the digital mode on the microphone. Other devices with the Multi-Interface Shoe but not the digital audio interface must use the analog mode.

All functions work in both digital and analog modes. The difference is that in digital mode, the audio source picked up doesn’t have to go through additional analog converters, which results in cleaner audio recordings. That said, the analog connection will still produce quality audio recordings if digital audio is unavailable on your camera.


Product Info

  • Polar Pattern: Supercardioid, cardioid, omnidirectional
  • Transducer Type: Back electret condenser type
  • Power Requirements: N/A
  • Frequency Response: 40 Hz to 20,000 Hz
  • Sensitivity: Info not available
  • Max SPL: 120 dB
  • Output Connection: Sony Multi-Interface Shoe
  • Weight: 77.3g
  • Accessories: windscreen

Features

  • Three switchable polar patterns – supercardioid, cardioid, and omnidirectional
  • 8 microphone capsules with beamforming technology
  • Connection through Sony Multi-Interface Shoe
  • Integrated shock mount
  • Low-cut filter and noise cancellation filter
  • 10db and 20db padding
  • Adjustable gain dial

Pros

  • One of the best DSLR microphones on the market
  • Extremely clean, high-quality audio with low self-noise
  • One of the best noise-rejection capabilities
  • No need batteries, dangling cables, or a shock mount
  • Lightweight, compact, and does not attract attention
  • Most convenient travel mic
  • All controls are conveniently placed on the front panel

Cons

  • Only compatible with Sony devices that have a Multi-Interface Shoe
  • It can’t be connected with a cable, so it can’t be mounted on a stand or used as a boom mic
  • No indicator light when in use


10. Sennheiser MKH 416 – Honorable Mention ($999)

Why would you want this shotgun mic?

It is a top-notch industry-standard shotgun microphone recognized by everyone in the business. Some clients might even request that you use this microphone.

Sennheiser MKH 416 front
Sennheiser MKH 416 back
Sennheiser MKH 416 on mic stand

Overview

I’m guessing you would be unable to sleep if I did not include the Sennheiser MKH 416 in this list. With the entire Internet raving about this shotgun microphone, it is easy to see why it is one of the best shotgun mics among serious indie filmmakers and content creators.

Many claim that you would have heard this shotgun microphone being used in many famous movies and TV shows, but I could only verify that Mad Max: Fury Road (2015) has used the Sennheiser MKH 416 as one of their shotgun boom mics.

Regardless, the audio quality of the Sennheiser MKH 416 is impeccable, the built quality is highly durable, and its RF condenser design makes it moisture-resistant, making it perfect for outdoor filmmaking.

The highs are crisp, the lows are tight, and the mids are great. It’s so good that you won’t need post-processing to get a good sound quality, other than adding some gain to increase the levels.

This long shotgun microphone has impressive feedback rejection and low self-noise, making it suitable for critical audio recording in quiet places.

The highly directional pick-up pattern is perfect for capturing dialogue and excellent at rejecting plosives, but you need to follow your talent tightly if you are using it as a boom mic above them.

However, this shotgun microphone is not designed for music production which is better suited for dynamic mics and condenser mics. Ribbon-type microphones are also great for recording music; they give vocals and instruments a warm, vintage sound quality that is pleasing and smooth to listen to.

If you are not particular about the brand, the Rode NTG3 performs equally well as the Sennheiser MKH 416. The difference is that the MKH 416 is more well-known and sought after, which might be a deciding factor if you want to land professional gigs with your clients.

Similar to the Rode NTG3, if you intend to use the MKH 416 with a DLSR video camera, you would need to get a DSLR audio mixer like the Comica CVM-AX3 to convert XLR to 3.5mm TRS and provide phantom power to the microphone. Otherwise, you would need to go through the hassle of recording audio separately on a recording device and sync up the video and audio later.


Product Info

  • Polar Pattern: Supercardioid/lobar
  • Transducer Type: RF condenser microphone
  • Power Requirements: +48V phantom power
  • Frequency Response: 40 Hz to 20,000 Hz
  • Sensitivity: -32 dBV/Pa (25 mV/Pa) @1kHz
  • Max SPL: 130 dB
  • Output Connection: 3-pin XLR male
  • Weight: 175g
  • Accessories: microphone clamp, foam windshield, pouch

Features

  • N/A

Pros

  • One of the best shotgun microphones for sound quality
  • Crisp and warm quality audio that is ideal for filmmaking
  • High sensitivity
  • Low handling and self-noise
  • Highly durable and well-built
  • Resistant to moisture and can withstand harsh environments

Cons

  • Expensive
  • Only has an XLR connection
  • No special controls and filters

Sennheiser MKH 416

Sennheiser MKH 416


Frequently Asked Questions (FAQs)

Shotgun microphones are condenser microphones that rely on the “waveform interference” principle. They have a small condenser capsule with a supercardioid polar pattern at the end of a hollow tube with slits along its surface.

On-axis sound, the sound source that the shotgun microphone is directly facing, will be picked up by the tight polar pattern of the condenser capsule. The sounds entering the sides of the shotgun microphone (off-axis sounds) will come through different slits, and those that are out-of-phase will cancel each other out due to destructive interference. This makes them ideal for outdoor shooting where there’s a lot of background noise, like wind noise or traffic.

However, shotgun microphones do have their limitations. Mixing the off-axis sound can give the audio recording a bit of a “colored” or altered quality, especially if the mic moves around.

Short shotgun mics also work better at higher frequencies and may struggle with mid and low-frequency sounds.

And when using a shotgun microphone in a desktop setup for podcasting or streaming, it’s crucial to stay on-axis with the mic, meaning you might feel trapped in one spot. This is why it is better to use microphones with a cardioid polar pattern, like condenser microphones for streaming.

Shotgun microphones are the perfect choice for capturing sound from a distance or in a noisy environment.

The best shotgun microphones excel at isolating the sound source from unwanted background noise, making them ideal for outdoor filming, news reporting, and documentary work.

With their highly directional polar pattern, shotgun mics can be pointed directly at the source of the sound, recording audio with great clarity and detail. They can record audio with greater clarity and separation than a traditional cardioid microphone.

They are commonly mounted on a boom pole and used as a broadcast boom mic for filmmaking and interviews to get the microphone out of the camera frame. They are also often used as external mics for DSLR cameras to substitute their low-quality internal microphone.

Check out our article to learn more about other types of microphones, like condenser microphones and dynamic microphones, and their applications.

Yes, you can if your shotgun microphone has an XLR or USB output. Professional shotgun microphones like the Rode NTG3 and Sennheiser MKH 416 have XLR outputs that can be connected to an audio interface through an XLR cable before connecting the audio interface to a PC through USB. That said, knowing how to record audio from a microphone to a computer is important for setting up a home studio.

Some shotgun microphones like the Rode Videomic NTG and Deity D4 have USB-C outputs where you can connect directly to a PC through USB.

However, some shotgun microphones like the Sennheiser MKE 400, MKE 440, and Deity D4 Mini are on-camera external mics with only a 3.5mm output jack that cannot be connected to a PC.

Check out our article to learn more about what an audio interface is.

The short answer is that it depends on your specific microphone model. Shotgun mics are primarily small-condenser mics, and if they only have an XLR connection, they require phantom power.

However, some shotgun microphones do not require phantom power. These microphones are usually used by rechargeable or AA batteries, or draw power from the DSLR camera’s 3.5mm mic input jack. While they may not provide the same level of audio quality as a phantom-powered shotgun microphone, they can be a good option for on-the-go recording or for situations where phantom power is unavailable.

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